Ok, this is one of the most fabulously weird albums I've heard in a while. It was out there, but I loved it. It was a crazy mix of synth pop and electronica, and the result was an entirely unique and dramatically dark album. The beat is relentless and the tunes rocked my face off. The energy and passion level throughout the album is off the chain (my best friend just informed me that I cannot pull off saying "off the chain" to which I replied, "I know. And yet I feel compelled to say it. But the fact that I say words like 'compelled' instantly disqualifies me from saying any cool slang terms.") Even so, Too Weird to Live, Too Rare to Die is at bare minimum off the chain. The only fault I have is that it's slightly wordy for a title and therefore rather consuming to type out. But other than that, the album is nearly flawless.
I put almost every song on insta-repeat and I'm pretty sure you will too. Unless you only listen to music like oh, say Celine Dion or something. In that case, you will most certainly not enjoy this album. For the rest of you, check out Too Weird to Live, Too Rare to Die here:
In the interest of saving time, let's get straight to the music! Sorry kids, my life has has been out of control! (But in the best way possible, so I neither have any complaints nor am I worried about getting in trouble with my mother.) Here's a new release from a band I've grown to love. St. Lucia has a great sound and a fresh take on music. Make sure you check out the entire album The Night Comes Again. I also included their past albums so you can love them as much as I do, and we can all be on the same page.
It's in indisputable fact that redheads are born with an insurmountable measure of sass. My friends and I call it the "saucy minx gene" and I have no problem disclosing that I possess said trait. It should come as no surprise that I adore a song that is can only be described as cheeky and fabulous, and not too long ago, I came across a great band called the New Politics.The punk-pop group from Denmark wrote songs together for three years before moving to the United States and setting up shop in my favorite city that never sleeps. It turned out to be a good move on their part, because NYC was good to them. In 2010 their self titled album The New Politics produced the hit song "Yeah Yeah Yeah."
A couple months ago, they released their album A Bad Girl in Harlem featuring the marvelous, slightly impudent hit "Harlem." Let me tell you, I love this song. I don't know if the bad girl in Harlem is a redhead, but I'm pretty sure she has the saucy minx gene and is a handful to deal with! When the radio is bogged down by overly produced, synthed out tracks, this single is lighthearted and flippant fun.
The whole album is worth listening to, so tune in and see what you think. You can listen to both their albums here.
And don't forget to find us on any of the follow sites: facebook, instagram, or bloglovin to keep up with the latest!
I remember the good old days when music genres consisted of simple terms, tunes, and time signatures, when a song was either just called rock, pop, country or rap. We probably also walked miles to school in bare feet and came home to do farm work, because those days are thing of the past. Easily defined genres---along with my high-school CD collection---are merely archaic things of the past. Now we have new wave, synth pop, lo-fi, hi-fi, trip hop, acid jazz, hipster and indie...on and on and on it goes. Confused yet? I actually enjoy this musical mash-up of genres and sounds, because some truly great bands have emerged under this kaleidoscope banner of music. And let's face it, music has always been a reflection of society. We ourselves are a kaleidoscope of so many ideas, philosophies, and dreams so why shouldn't our music be the same way?
I really love the hipster-esque music scene. While living in NYC, I spent a lot of time hitting underground music venues and trendy dives, but tragically, I really can't pull off either hipster, emo, or indie at all. I've never owned a pair of Converse shoes, but I have a vast display of lovely sky-high heels that I love as dearly as some people love their children or puppy dogs. My heart is that of a hipster-emo-indie kid though, so that should count for something, somewhere to someone. The lo-fi bands have really been singing to my alternatively tuned heart, and two bands I'm feeling extra amounts of love for are Summer Heart and Washed Out.
Summer Heart has a relaxing, dream pop vibe combined with lush, mellow vocals. I didn't really realize vocals could be lush/mellow until listening to this band, but they CAN, my friend! They can! I know. Get excited...in a mellow way, of course. Track after track is so chill it's cool (I was told by my student to include this phrase, and I responded I would, if he practiced an hour a day. Promised honored, now practice some more my little minion!) and is great easy listening music. It's been my go to playlist while I'm cooking up new recipes or relaxing with a book.
Washed Out also falls into the dream pop/chill wave category (who comes up with these genres, I ask of you?) and they do their genre well. Lead singer Ernest Greene, a native to Georgia, earned a masters in Library and Information Science (yes, it is a degree, and I'm sure you're all clambering to sign up for that major), but failed to get a job. So, he decided to start a lo-fi band, which seems both like a the logical alternative to being a librarian and a very Georgean if you know what I mean. That's called sarcasm, kids. But hooray that he did, because Washed Out is pretty fabulous! He released Within and Without in 2011 and has a new album Paracosm that was just released THIS MONTH and was featured as a give-away on our facebook page! Yes I am excited! No I don't know what a Paracosm is! My dictionary says it's an imaginary world. Like Narnia---which is debatable fictional. I prefer to believe my walk-in closet might hold a magic world in addition to my mini-empire of clothes and shoes.
New to the lo-fi scene? Sample it here and don't forget to find us on facebook, instagram, or bloglovin to keep up with the latest!
And they did it again! After releasing an amazing Americana album a couple years ago, The Civil Wars crafted yet another gorgeous set of beautiful tunes. This band is my not so guilty southern little secret and they need to be yours too! I'm on a mission...each one reach one! Chances are you've heard at least one of their songs. At the end of The Hunger Games ---a movie roughly everyone in the entire solar system has seen---the band pairs up with Taylor Swift to sing the end credit song "Safe & Sound." It is true I do not often enjoy Taylor Swift. I generally can't stand her, actually. I did like her song "We Are Never Getting Back Together" during the quick five-ish minutes my man and I broke up, but like my resolution to never again eat processed, chemically-ridden Craft Macaroni & "cheese" (which is irresistibly delicious and I will gladly fist fight someone over this truth), I simply was not able to be as resolute as Taylor Swift. So he and I got back together, thus ending my need for listening to her music. Fortunately, the song "Safe & Sound" lacks any of Swift's over the top cutesy, catchy nonsense that she often calls music and is a truly lovely song.
When the band was still relatively new on the scene, Noteworthy Music wrote a review about this indie-folk band, which you can read here. Truly, there are endless reasons to love The Civil Wars, and here are the top three in no particular order (which I am throwing together on thefly):
1. Their clever double entendre name. True, the band has a delicious, old Southern flare that hearkens back to a storybook time. I love our American era of fiddles and balls, of gowns and plantations, when the North fought against the South and both chivalry and corsets were in style. The band captures the feeling of these times with such authenticity, that I almost feel transported in time when I listen to their music. But even more than the band's tribute to our unique and fascinating American history, the songs are a rich tapestry of love stories, woven with lyrics so beautiful and sensitive that it's impossible to not relate to them. The true theme of The Civil Wars focuses on the interaction between lovers, and love isn't always civil. In the wise words of Pat Benetar, love is a battlefield and one that can leave us unrecognizable once the smoke clears.With great emotion and insight, The Civil Wars spin out one tale after the next about love lost, found, and redeemed. Nothing makes a little Libra happier than that!
2. The extraordinary vocal skills of singers Joy Williams and John Paul White. Oh.MY.WORD--->can these people sing or what?! Their vocals are simply stunning, and not in this over the top, all over the place kind of vocals like true music diva Maria Carey. The lack of audacious vocal craziness enhances the quality, tone, and message of the music. In addition to this, the harmony is pristine and near perfection. Seriously.
3. The unique sound of the album; it is SO not mainstream. Not even a little bit! Just when you feel like your ears are drowning in lame Miley Cyrus songs and the same top 10 overplayed hits of the summer, here comes a breath of fresh air! Do I love it or do I love it?! That should be an easy answer. I love it.
In their eponymous album The Civil Wars, the band continues their sumptuous blend of lyrics, melodies, and vocals. Listen to the entire album here. And don't forget to find us on facebook, instagram, or bloglovin. Now go do yourself a favor and walk away from the Bieber-fever tunes and indulge in some non-mainstream music. Your head and your heart will be so very glad you did.
Listen here, kids: I heart the 80's and my love affair existed before you were even ALIVE. I mean, I was barely alive myself, but it doesn't matter. I have birth rights on that entire decade, and that means the big hair, the Cabbage Patch dolls (how semi-creepy and ugly are those things?!), and the ORIGINAL Transformers and GI Joe's. My lovely southern belle mother despaired that I could keep up with the boys so well, but I balanced it in in true Libra form by throwing a teaparty in the mix now and then. Since I love the 80's oh so much, I appreciate that alternative music is taking on a retro vibe and doing a throwback to some solid 80's sound---with a modern synth-pop twist of course. A band that is doing this in brilliant style is Twin Shadow. Recently, my man put together a surprise date and took me to the Grenada for a concert featuring Twin Shadow.
It was nothing short of a fabulous, entertaining night of great music. Twin Shadow has great energy and sounded even better live, which is always a nice surprise in today's overly processed tunes. Yes, they did retro with a flare, and they did it well. The Grenada is a great live venue, because what it lacks for in size, it makes up for in intimacy. It's easy to connect to the band on stage and really soak up the beats in full force. Lead singer George Lewis Junior connected effortlessly to the audience and filled the night with an excellent lineup of fabulous songs and amusing stories.
Twin Shadow pulled tunes from albums Forget (2010) and Confess (2012) and oscillated between high energy beats and sweet melancholy tunes with the greatest of ease. In short, it was a wonderful concert. If you're like me, and you're a music purist who loves the not-so-well-known band, check out Twin Shadow's music here. And don't forget to find us on bloglovin', facebook or instagram---because too much of a good thing can be fabulous.
Summer loving is in full force right now, and my life feels a little bit like a fun take on The Fast and the Furious. Any version of the movies 1-6, only I'd call it The Fast and the Fabulous, because life has been above and beyond amaaaaazing this summer. The only minor tragedy in this Utopian scenario is that I've been far, far too busy to throw together a music post or do anything remotely productive. Seriously, I have clean laundry that I've been intending to fold for two weeks now and I'm a mega neat freak, so therein is your proof of my too fast, too fabulous life. My current solution: just buy new clothes. I'll fold that stuff later.
There are some great albums out right now, but Daft Punk's might be one of the best so far. I've enjoyed the band oh so much since my lovah Samuel introduced me to them. They recently released a new album called Random Access Memories, and their solo track "Get Lucky" has appropriately scored big time on the charts. The album has a bit of a retro flare, but the elctronic music duo hasn't strayed too far from their traditional house/synthpop blend.
And if you're wondering about the mystery surrounding the band's gettup of disguises---most notably their robot masks---the Daft Punk duo claims they donned their robot masks "to merge the characteristics of humans and machines." Initially, the masks were to help the get get over a shy streak, but the band said seeing the masks "became exciting from the audiences' point of view. It's the idea of being an average guy with some kind of superpower." Who doesn't love an average Joe with superpowers? Am I right all you Marvel/Capcom/etc etc etc fans out there or amIright? Frankly, I've never listened to Daft Punk and thought their robot helmets or disguises made them seem like super heroes, but play on playah, play on.
If you haven't been swept up in the Daft Punk wave yet, check out their past albums and latest one here and don't forget to find us on Facebook :)
Hooray! Spring looks like it's finally going to stick around in the Big D! It's about time, really. I've recently felt like the weather and my closet have been engaged in a terribly bipolar relationship of hot and cold, on again off again. I pack up my sweaters, then have to pull them out as the weather plummets to freezing (at least, by Texan standards). While I really do secretly like being bundled up (I would probably wear a snuggie if I felt I could get away with it and feel no remorse), it's about time to say "see you later!" to the winter layers.
Since I've been doing a lot of closet rearranging due to the pyscho weather, I've had time to DJ up for myself some great music. Macklemore is topping every chart everywhere in the entire world apparently, and so I thought I'd give the music a bit of a try. First, it took me a while to figure out that he was neither the real Slim Shady nor Pitbull or whatever, but once I made this connection I liked him better. Second, if you think Macklemore is still buys N-E-THING at a thrift shop, you are probably absolutely wrong. I'm not taking bets, but I'd almost be willing to do so. Still, while the song "Thrift Shop" is quickly becoming overplayed, it's pretty catchy and clever probably has made your grandpa's coat so much cooler.
I run at least one 5 or 10K race a month (yes, you may be impressed, and yes I feel my right lower lung collapse each time), "Can't Hold Us" has been my pre-running get hyped up song. Honestly, try running to it. You will go at least 2% faster for 4 minutes and 19 seconds longer. I've tested this out. The real value of the album is that it's filled with really thoughtful, musing lyrics that leave room for pondering. I wasn't really expecting that, but I liked it quite a lot. In case you're wondering who the Ryan is in this Ryan Lewis partnership, he's Macklemore's producer. Thank you Ryan, you've done well and deserve to be noticed, too. So if you're familiar with Macklemore's hits, check out the rest of his top chart album here!
Other great tunes followed on their next album Waking Up which produced hits like "All the Right Moves," "Secrets," "Good Life," and "Marchin On." Not too bad for a follow up album, I must say. So what can you expect in their latest album Native? More of the same for starts. The sound hasn't changed. The same kind of lovely, wishful lyrics come back and reach for us. The easy guitar strumming ballads make for great go to background tracks of young hearts everywhere. Is it genius? Well, not really, but not all really delightful things are sheer brilliance. I do appreciate the great combination of melodic tunes and meaningful lyrics, so I really have nothing negative to say about Native. For all you music lovers out there who adore Joshua Radin, Five for Fighting and other fabulous anthemic songwriting groups, you'll enjoy every track on this album, which you can listen to here. And, just because I can and just because I'm looking out for you, I've included all of OneRepublic's albums for your listening pleasure. You're welcome. PS don't forget to like us on Facebook or follow on bloglovin.com! https://www.facebook.com/NoteworthyMusicBlog
First things first: I freaking love boy bands. I'm not ashamed to admit it, and neither should you closet fans out there! You know there are tracks of Backstreet Boys and NKOTB hidden away on your playlists...just admit it! Boy band music is somehow really lame and seriously addictive all at the same time. Sure, it's all just a bunch of smoke and mirrors designed to fool females everywhere into falling in love via sappy, cheesy lyrics and great hair products, but who am I to reject this PR propaganda? I am, after all female, and I happen to have a penchant for both excellent hair and musical people. Therefore, I love boy bands, even if they're the equivalent of the wizard of Oz hiding behind a curtain on stage and not so impressive in real life. Having said all that, I must add that Justin Timberlake is one band member who has managed to be successful on multi-circuits of the entertainment industry. The former NSYNC member has an incredibly success solo and movie career, as well as dabling in various other arenas. JT manages to keep up with the trends and stay true to himself at the same time.
Our boy band phenom took a musical haitis from '07 to '12 while he focused on a rather successful acting career, various philanthropic work, and other collaborative projects . His latest musical venture The 20/20 Experience ended his break as he began recording his two part album last year. The first part of the album was release just last month, while the second half is planned on being released in November. It's already a hit as it reaches top spots on many music charts and gets non-stop downloads from people like yours truly. The album is filled with a R&B/pop-esque sound that makes you forget he ever hip-hopped around during is boy band era. Smooth and a little jazzy, his tunes are easy listening done right. JT states that he wrote the music with no rules or end goal in mind, but songs like "Suite & Tie" and "Mirrors" are direct hits. Whether you're a loyal fan from back in the day or too young to remember the glory which was NSYNC (yes, I'm looking at you One Direction fans! Harry might, just might take you to prom now that he and Taylor Swift broke up. Keep those fingers crossed!) this is one album worth hearing!
Death Cab for Cutie is the success story every wanna-be Indie band wishes to achieve. After establishing a trademark sound and spinning out three consecutive hit albums, the band reached a level of fame that most bands could only hope for. But the real talent was proven when Ben Gibbard, the singer-songwriter of the group, broke away to create a new accidental hit group when Gibbard wrote and recorded some vocals for his friend Jimmy Tamborello. The result was a series of glitchy electronic music that was mix tape ready and oh-so-fabulous. The name The Postal Service came about from how the duo sent music sample back and forth to each other, which seems harmless enough, but the the United States Postal Service actually sent the band a cease and desist letter for allegedly infringing on their trademark name. What's music without a little drama, right? Proving everyone---even those affiliated with the government---can possibly get along, the band and the USPS negotiated a deal that allowed the band to keep their name in exchange for promoting the USPS. It's unfortunate that the USPS went through so much trouble since everyone emails and texts anyway, but no one asked me my opinion when all this was going down.
So, here we are, a decade later and unlike the USPS, the band The Postal Service has an even wider fan base and is stronger than ever. In honor of Give Up's 10 year anniversary, the album will get the reissued and revamped, packaged along with a second disc of remixes, unreleased tracks, and such. But perhaps the reeeeeally exciting new is that The Postal Service will also
embark on a long-anticipated reunion tour, which begins April 9. Even better news? The tour includes a stop at Coachella. I know, get excited. If your a fan of the original, compare a sample of the new and (possibly) improved album here:
Every once in a while, I stumble across an album or band that I fall a little bit in love with, and on a recent road trip adventure, I had such an experience. When you have a lot of hours to drive, it means you have a LOT of hours for someone to play DJ, and fortunately I had a good one. After recommending the band Walk the Moon, we listened through their eponymous album Walk the Moon from start to finish, with several repeated tracks. The result: love at first playback.
This fabulous Indie group released Walk the Moon very recently after their self-released album I Want! I Want! It's an album for those who still want to have adventures, fall in love, and be a little bit carefree. It's the kind of music that you'll find in the OC at beach parties, played by NYC hipsters in great dive spots, or during late night drives to no where in particular. The artsy, pop-rock sound is catchy and engaging, all at once. Not surprisingly, several singles have been featured on shows like Vampire Diaries and other similar teen/college dramas.
The song that won me over---madly--- is without a doubt "Anna Sun." It's all the things that sum up young love despite the odds or because of the odds and it's all a grand adventure. I also loved "Iscariot," "Tight Rope," "Fixin" and "Jenny." If you've never heard this band, give their album a listen to and discover their great tunes!
Here's a fact that for some reason always really surprises people: I love hard rock. I mean, so hard that it's harder than adamantium steal (that was for you fellow nerdsters. For the rest of you out there, adamantium: a fictional metal alloy featured by Marvel comics character Wolverine. End of dictionary definition.) I'm barely successful as a girl. I've yet to learn how to properly curl my hair, apply makeup or watch chick flicks. My baby brother loves this genre of music called screamo, which is like someone threw every kind of metal music into a room that holds a bunch of cats tied together by the tail and recorded the result. I actually even can get into that music, which apparently wins me major points with absolutely no adults anywhere ever, but my teenage students listen up better when I can talk both Mozart and Alexisonfire. Still, I'm ever on the lookout for a hard rock band that delivers a meaningful punch with their tunes, not just a powerful one. Flyleaf always meets my hopes in a great way, so I was all over their new album New Horizons.
One thing the hard rock genre definitely lacks is a strong female force, so I love Flyleaf for having a such a dynamic female lead singer Lacey Sturm. I've loved the band since they've arrived on the scene back in 2005. "Fully Alive" remains a top favorite for me. New Horizons is a strong album for the band. The dark, hard-toned music enhance the band's powerful lyrics and manage to avoid the cliche angry headbanging sounds of so many other hard rock groups. In a strange paradoxical way, Flyleaf uses the passion of hard rock to deliver songs that somehow inspire and evoke a feeling of hope. Each song is infused with intense emotions and accomplishes a successful blend of vocals, drums, and electric guitar. Some of the outstanding tracks on the album are "Fire Fire," "Saving Grace," "Cage on the Ground."
Enjoy the album, because it's Sturm's last. Just after releasing the album, she announced that she's leaving the band and has been replaced by Kristin May, formally of the band Veranda. I absolutely object to this change, but no one called to ask me my opinion. Here's their latest album as well their past hits below:
It's no secret I can't stand Taylor Swift's music. I know I just committed musical heresy to girls everywhere, but I think her former albums sound trite and are like musical cotton candy. Way, way, waaaaay too sweet and lacking sustaining substance. I'll also gladly admit that I think she's an incredibly talented songwriter in many ways. She's quite talented and wildly successful. I think she's sold a bajillion records at this point or something, which is impressive to even the least inspired like me. She also taps into her own thoughts and feelings in a way that (might be TMI???) that is extremely open and honest. Perhaps it's the over saturation of fairy-tale loving, wide eyed innocence, or country twang, but I've never been able to get into her songs. Still, I believe in giving every musician a fair try (excluding Justin Bieber whom I loathe and despise for his girly eyebrows and perfect application of lipstick/lipgloss), so I listened to Swift's latest album Red.
Um, wait, what? This is Taylor Swift??? Ok, first things first: wasn't she a country music singer? I'm so confused. Second: I liked it (I was shocked) Third: is she going through identity crisis, because I felt like the genres were all over the map. ALL OVER IT. But successfully so, and in a manner worth listening to. It turns out I like a brokenhearted Taylor Swift much better than a "Romeo + Juliet" Swift. I hope she has tons more breakups with bad boys. It's so much better for her music.
Probably due to my astonishment that I am able to like a Taylor Swift song and that the album isn't a saccharine sweet tribute to love, I've decided to do a review of some individual tracks:
1. State of Grace: ok, I did not see this coming. Apparently, I'm not the only one side-swiped, because Swift sings that "I never saw you coming..." and works it into a song that sound nothing like country and everything like a catchy, trendy Indie tune. Don't know what the heck is going on here, but I like it. The song leads with driving drums and a bit of hipster vibe. I like the clever lyrics.
2. Red: Sounding more like Swift's past songs, which as basically pop tunes with a little banjo action to call it country, but again, I think this will be radio hit. It's pretty formulaic, but it's a formula that works. I didn't get into it, but it wasn't painful to listen to.
3. Treacherous: Oh, squeaky clean image, good girl Swift, we all have a run in with a bad boy at some point. You just make songs about it. In a tune that's filled with strumming guitars and pages of her diary, Swift creates a song that builds and builds to a powerful finale.
4. I Knew You Were Trouble: I hate it when singers all jump on the same idea and overkill it. Dubstep is dubstep, stop messing with it! Yes, Swift/Bieber/Rihanna, I'm talking to you. I'm sorry, she can't pull it off. I love dubstep, and it belongs many places but on a Taylor Swift album isn't one of them. Again, isn't she a country singer? Ok, whatever. I feel like this album is screaming, "I'm being experimental and I haven't even graduated from college so I have no clue who I am!!!!" OMG, get a grip. Here's the song:
5. All Too Well: After a little bit of musical schizophrenia Swift returns to her roots. Which means I do not not not like this song. I'm sure girls everywhere will have this track on repeat. It's so precious, aww. Classic Swift: guitars, finding love lyrics, sorta-country, whatever. I don't care for it, but you jump right on board if you'd like.
6. 22: oh to be young again! 22 is an ode to being in your early 20's. This song sounds so annoying to me, but I applaud the tribute to being young. It pretty accurately summarizes what it's like to be 22 in an over the top pop kind of way. Again, does Swift HAVE a style any more???
7. I Almost Do: in a EP style of simple guitar and drums, Swift struggles with post breakup regret as she fights not calling her ex. It's entirely real, entirely girl, and somehow truly sad. Swift captures what it's like to be hurt by someone but still want them back, despite who they are and what they've done. The inner emo kid in me likes sad tunes oh so much.
8. Never Getting Back Together: I begrudgingly like this song. It's so catchy, and every girl in the entire world can relate to the exhausting catch and release---and catch and release again---dating game. Allegedly (according to everyone in the world including Swift) it refers to her relationship with the oh so hottie McHotterson Jake Gyllenhael. I'm a fan of the song until the break in the music when she has a mini conversation using "like" about a hundred times in two seconds. Also, the radio is quickly over playing it. Thank you Spotify and Pandora for saving me. Side note: what is up were her PJ's and super over the top glasses?
9. Stay Stay Stay: one of the more cutesy, immature tracks on an otherwise well developing album. She disses past ex's and collapses into a fit of giggles at the end ("It's so fun!" she exclaims to the horror of my nerves)
10. Begin Again: ending the album on a more peaceful, forgiving note, Swift finds a bit of hope after all the heart break. Despite all the heart goes through, it can begin again.
What do you get when you mix a bit of pre-war jazz, a dash of gypsy folk-rock and a side of baroque pop? The whimsical sound of Andrew Bird. In a style that is pure pleasantries and the essence of simple joys, Bird creates music that is just, well, fun. I love the use of guitars and fiddles throughout each album. People say music takes you places, and I absolutely agree. Bird's music takes you to a place that conjures the same feelings are true-blue skies, open meadows, and that perfect day that knows how to hide away from the stress of everyday life.
As a child, Bird was heavily influenced by classical music, Irish tunes and bluegrass. The American singer-songwriter has a degree in violin performance, and his early self-released album Music of Hair showcased both his violin skills and his love for European folk traditions and music. He later join the band Bowl of Fire but left the group in 2003 to radically reinvent himself and his art. He's known for his free-flowing improvisation at concerts and his ability to play multiple instruments throughout shows. Bird's latest album Break It Yourself is a fine realization of his talent as both a musician, singer, and song-writer. Listen to his albums here:
